Diaries
Written by Marion McNealy
October, 2004 A Schaube (another word for it is Husecke) is an overcoat of sorts, usually depicted as fur lined and worn by respectable persons looking snug and warm in portraits. Since it is typically worn by men in portraiture, its not usually thought of as a woman's garment, yet women did wear them and they appear quite frequently in wills of the time in all classes in Nuremberg. I decided to make one in the winter of 2003, and bought the fur for it. Unfortunately, life intervened and it has been sitting in a box waiting for me to have time. Finally, I've been able to find time to make it. Read more...
Written by Marion McNealy
Summer of 2003 After wearing the Enn's dress to two events where the temperature was around 100 degrees, I decided that I really needed something cooler if I was going to go to anything during the summer time. This turned out to be a wise decision as we had one of the warmest summers on record for Seattle in 2003 and I had lots of chances to wear this new very cool linen dress. Read more...
Written by Marion McNealy
Spring 2007 BackgroundThe Schlappe is a type of Barett from the southern Germanic lands in the time of 16th century. The name of the cap, Schlappe, is derived from the Middle High German word "slappe" and means a "bag shaped headcovering with flaps" (Zander-Seidel, p.129-137). The ear flaps and the back neck piece are the distinguishing characteristic between the Schlappe and the Barett Read more...
Written by Marion McNealy
Made for Kingdom of the West, A&S Competition 2005 IntroductionIn June of 2005 my local SCA group was challenged by another local group to compete in the 8 category team competition in the annual arts and sciences event. One of the competitions was for horse barding. That's all the direction we had to go on. I decided to stick with what I know, 16th century German. Before I chose a design to recreate, I first conducted an art survey of all four volumes of The German Single-Leaf Woodcut: 1500-1550 as well as several other art books in my possession, resulting in 100+ separate instances of horse barding. Read more...
Written by Marion McNealy
Spring 2003 One would think that something so simple would be hard to mess up. Welcome to my diary of the Hemd, its actually two stories, the first is the disaster, the second is the slightly more happy ending one. I still am not 100% happy with the end product, but if I kept re-making it until I was, I would never get to the dress. So I have decided that this is good enough to wear and move on to the next part. Read more...
Written by Marion McNealy
March 2003 After looking at lots of images from the range of 1560-1590, one of the biggest things that struck me in looking through a lot of images is how smoothly and well fit all the bodices were in front and back, and how flat yet uplifted their bust lines were. But while the bust lines were flat, there was not an excess amount of cleavage over flowing the tops of the dresses, in fact, very little cleavage shows because a woman in the German lands during this period is usually covered up to her lower jaw. There are of course exceptions to this smooth fit and maximum coverage, but that’s not the look I am going for, I am a respectable merchants wife. Read more...
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Diaries

